CHELSEA BOXWELL
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    • DTLA Rooftop - 2021
    • Royale Projects - 2019/20
    • BoldPas - 2019
    • MASH Gallery - 2019
    • Pink, it's not even a question - 2019
    • ArtCrib - 2018
  • Exhibitions
    • "Some kinda Alchemy"
    • The Cherry on Top
    • Other Exhibitions
    • SoCalMFA 2017
    • FAR BAZAAR 2017
  • Selected Works
    • Hanging Paintings
    • "Candy Paintings"
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The Cherry on Top:
Chelsea Boxwell & Dakota Noot
​PØST, downtown LA, July 2017
Picture
'I like it on top' Acrylic, latex, glitter and sequins on canvas.
The Cherry on Top is not about keeping everything in moderation. Both artists naturally embrace this concept in their practices with excess uses of glitter, fluorescents, sequins and narratives in their paintings. Both challenge traditional gender and traditional painting roles in their own way. This show was mutually curated by the artists and the work was specifically meant to compliment each other. Although Chelsea’s abstractions and Dakota’s figurative narratives are vastly different, the duo manages to challenge that and embrace it at the same time. They have collaborated before on paintings, shows, and other curations; the way Chelsea and Dakota work together is also an important part of their unique, social painting practice. ​
Chelsea Boxwell Copyright © 2021
  • Home
  • Site-Specific
    • DTLA Rooftop - 2021
    • Royale Projects - 2019/20
    • BoldPas - 2019
    • MASH Gallery - 2019
    • Pink, it's not even a question - 2019
    • ArtCrib - 2018
  • Exhibitions
    • "Some kinda Alchemy"
    • The Cherry on Top
    • Other Exhibitions
    • SoCalMFA 2017
    • FAR BAZAAR 2017
  • Selected Works
    • Hanging Paintings
    • "Candy Paintings"
    • Canvas Paintings
  • About
    • CV/Contact
    • Digital Content Portfolio